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21 20 Words * DBflds: Thnri Boron looks to bnng together hip- hop octs with trans-Atlantic elfort. YOU SEE THE TROUBLE WITH ME BLACK LEGEND g2 Breakojts: Titles with future chart ptfential. If you decide to do some- thing completely different from the last thing you did, they support it If it's honest, it comes through in the music.29 Rhyttim Section: Debuts dominate the upper region ol the Top R&B/Hlp-Hop Albums chart. In fact, they'd probably get mad if you just created the same album over and over again." Koala underetands that the free- dom to experiment is rare in this business.40 Closslcal/Keeplnfl Score: Dnnl Bl Rnrenhnim celnhrnt RS SO years ot pertormonce with an A&E special. "Peter [Quick, the label's GM] is like the Zen master of balance," says More.41 Jozz/Blue Notes: Ken Burns shares his musical visions with latest documenlory. ASCAPi'Ounliin f Uacli* Bankv ASCAP/Benlw SI, ASCAP) TOU SHOULO'VE TOLD ME ILIemll, ASCJ^) BILLBOARD SEPTEMBER 30. K.'s Eclectic Ninja Tune Marks 10 Years With Boxed Set BY RASHAUN HALL NEW YORK— Individuality seems to be a rare commodity in the music industry today. Home to a wide variety of art- ists — including Amon Tobin, Kid Koala, and DJ Vadim — the label is celebrating its 10th anniversary this year with "Xen Cu Ls." The three-CD set (also available as a six-pack 12- inch vinyl set), which spotlights live performances, remixes, and B-sides from the label's talented roster, streeted globally Sept 18. "He ensures that things are correct and that everything runs .smoothly, which helps a great deal."Jozz.' 42 Songwriters Pu Mlshers: Time Warner/America Onllne's proposed merger raises rumors about the sole of Wamer/Chap- pell. With boy bands and coraing-of-age divas being signed left and right, it's become ever more dif- ficult for experimental artists to find a label to call home. "We started this label because we wanted to remove the hype and bull- shit that we had experienced from the majors at that period in our eai-- eei-s," explains Jonathon More, who, along with Matt Black, founded the label (the two also record under the Coldcut moniker). "The positive side of being an art- ist-driven label is that we understand where the artists are coming from," he continues.43 Lntin Notns: Cnrlns VIVRS takes his Colombian sounds on the rood with his international tour. "Similarly, w-e didn't like the assorted pressures of gambling that comes with spending lots and lots of money to try and make hits." More continues, "We wanted to have the freedom to experiment. "Plus, we've been through many of the experiences that they might not have been through yet." More points out that it took Koala 2'/2 years to complete his first album for the label, but that wasn't an issue for Niiya Tune.

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IWni WHffl WM 49 The soles figures tor Interno - tionol releases continue to fall in shrinking Japanese market. Mac Mii Ti a MMmnmi; 74 The N nlinnn I Assn nl Recording Merchandisers' fdll conlerence tackles hot topics fac- ing retailers. "Paying our artists was also im- portant," adds More, "because we had experienced the nonpayment method of the record industry, which we didn't like verj' much. "If people are into you, they wait That's the Niiya philosophy.

In 1985 the Brazilian impresario built a "city of rock" in the heart of Rio de Janeiro, Brazil, and staged Rock in Rio, a 27-show, 10-THE BILLBOARD SPOTLIGHT Sludi DS&Reeording HEATSEEKERS noniie Mc Clurkin Hits No.1 Wiai 'live In London' Set T2 - THE ULTIMATE DUD!

In a move that would help estab- lish an independent Pan-European distribution services and sales net- (Continned mi txiae 95) 3rd Rock In Rio Fest To Renefit Edocation Bbzbbs at i Bter Biti BBBi, Bmifm Acts Imst Bi 1b Partleif Bt B BY LEILA COBO MIAMI — If bigger necessarily meant bet ter, Roberto Medina's job would have been long done.

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